Why are you looking at me like that? You must have thought about that, too So he stops running. With its action being divided into 12 captioned segments, it also seems to be an experimental outing, which uses intense close-ups for seemingly insignificant incidents and distance shots for more dramatic moments. However, please contact us if you believe that informative content on this service affects in any way your legal rights. If she's a tramp, she'll get angry; if a lady, she'll smile We'll see Are you a friend of Yvette's? I think you are very good You have great goodness in your eyes I see, I didn't understand; it's a funny thing to say Why? Gunshots in the street Yvette, how are you? Dan Untuk mengetahui judul film apa saja yang sudah dibintanginya, Anda dapat melihatnya di. There are a few nice extras, such as the interviews with Karina, and film prof Jean Narboni.
Their three-year marriage ended in 1964, though they continued to work together until 1966. I happened by Why are you reading? Primarily, I wanted to see the Paris of 1962 again, the Paris of my first visit as a child, to smell the Gitanes and Gauloises, to see the people, the cafés, the streets; the true Paris before it became an imitation of itself. I'm sure some will get something out of this conversation but it just left me flat. Vous ne pouvez pas télécharger ou regarder des films en ligne sur ce site. You parrot anything You're ridiculous.
They conduct raids, interrogations Anyone infringing regulations is sent for medical tests Can I drink in a café? All you know are bits and pieces. Karina stayed with film acting in the coming decades, working with such directors as Rivette, Luchino Visconti, George Cukor, Tony Richardson, and Rainer Werner Fassbinder. Apalagi negara ini merupakan gudangnya bintang film hebat yang menguasai dunia sinema yang sebagian besar mungkin sudah Anda nikmati. No, it was my brother Have you many brothers? Indeed, this is a film of conscious contradictions. Errors and lies are very similar I don't mean ordinary lies Iike I promise to come tomorrow, but I don't, as I didn't want to You see, those are ploys But a subtle lie is little different from an error One searches and can't find the right word That's why you didn't know what to say You were afraid of not finding the right word. Do you like being special? I wonder what I'm thinking about? Cukup menarikkah untuk dijadikan salah satu referensi film yang layak tonton? But an wisp of sadness pervades the proceedings, as he realises he's virtually pimping for his own wife by presenting her as both madonna and whore.
Look, I've brought you a composite sheet I'd like to do something like that What's it for? Cependant, si le contenu informatif sur ce site affecte en aucune façon vos droits, veuillez s'il vous plaît. Raphaël Romero Raphaël Romero on guitar In the racks at the back Is Rita still away? Hotels usually change the towels, not sheets Beds are often made just with a bottom sheet The police? For that, love would always have to be true Do you know anyone who knows at once what he loves? I don't know I've found that we can't live without talking I'd like to live without talking Yes, it would be nice, wouldn't it? A drunken prostitute is a liability undesirable because she creates scenes If I'm pregnant? Sutradara besar yang telah melahirkan banyak film terkenal ini dipercaya membesut Vivre Sa Vie 1962 , menjadikan film ini makin berkualitas dan bisa menyenangkan para penontonnya. Nana hasn't the strength to be the actress she desires to be, could be. You look stupid, and your hair looks awful Wait, I've got something to tell you My eyes The letter. I'll see Are you going? I already know you You don't. Tell me, I told you I was willing I'm only free on Sundays I'm off to London on Sunday Well then, I don't know How about now? When you remove the inside, you see the soul. The classic letter Yes, it's me How did you find me? Legendary director Jean Luc Godard brings the life of Nina to the screen in 12 scenes that explain her life in Paris.
Nana the unwitting philosopher Mind if I look? I don't know a thing about them When shall we do those photographs? Sometimes it's degrading That's where you're wrong Weekdays we're too busy to go to the movies and on Sundays there's a line Where to? Nana tries to transcend a Paris that is unkind to her, manipulative, and very dangerous. Ron Miller Cast Anna Karina Nana Sady Rebbot Raoul André Labarthe Paul G. Quotes : Do you know anyone who knows right off what he loves? There are many layers to this lovely young woman, and each of the 12 snapshots of her life reveals more. It's a fact What's new since Wednesday? I was in my car and I saw you come in here You've got nerve No, you are very beautiful You disappeared fast the other day When was that? And Godard seems to be on this wavelength, but would never reveal it. Nina is unhappy in her life as a wife and mother, which prompts her to leave her life behind for the bright lights of Paris and the chance to become a famous actress. A café in the suburbs Raoul.
Not like your English lessons I'm not giving up. Kita semua tahu bahwa film bermutu tidak akan bisa dilepaskan dari siapa sutradaranya. Though their cinematic collaboration seemed harmonious, behind the scenes, their relationship was tumultuous and bitter, made all the more difficult by the fact that it was under constant public scrutiny. Beautifully acted, Vivre Sa Vie is a major benchmark in the history of cinema. Five brothers and three sisters You're surprised? He had earache, but the doctor said it was nothing What's your job at Pathé-Marconi? I'll tell Raoul it's all over Let me put my coat on, at least! Why do you say that? Well, I was walking down the street and I saw a woman buying a magazine Well, then.
In a later tableau, we watch long, uninterrupted scenes of The Passion of Joan of Arc--in itself a treat--and the supposedly disaffected heroine Nana weeping rivers of tears, silently, in the theater. At the stake How can you still believe you were sent by God? I hardly recognized you How are you? Banyak sutradara hebat mewarnai jagat perfilman, dan salah satunya adalah , , ,. Labarthe 28 Aug 1962 France tt0056663 Bioskopkeren My Life to Live Vivre sa vie: Film en douze tableaux 1962 Indoxxi My Life to Live Vivre sa vie: Film en douze tableaux 1962 Cinemaindo My Life to Live Vivre sa vie: Film en douze tableaux 1962 Lk21 My Life to Live Vivre sa vie: Film en douze tableaux 1962 Layarkaca21 My Life to Live Vivre sa vie: Film en douze tableaux 1962 Nonton My Life to Live Vivre sa vie: Film en douze tableaux 1962 Download My Life to Live Vivre sa vie: Film en douze tableaux 1962. Jika Anda penasaran ingin menonton atau , silakan tonton dan download di sini. I want to see a film. I think everyone is the same You don't approve of my working? The story itself is tragic, so be prepared for that, even if there are some wonderful lighter moments.
When the crook was shot; you just vanished I don't think they were crooks, it was some political stuff Oh, well. Shots like that give it somewhat a documentary feel, of being there in the present; and also it is somewhat of a time capsule of life in that time and place. You send them out to people in films and a few days later maybe they phone you I'm a bit shy about undressing It's nothing much, you know Can you lend me 2,000 francs? I wondered if you would come Why, am I late? We're free I raise my hand - I'm responsible I turn my head - I'm responsible I am unhappy - I'm responsible I smoke - I'm responsible I shut my eyes - I'm responsible I forget I'm responsible, but I am I told you there's no escape Everything is good You only have to take an interest in things After all, things are what they are A message is a message Plates are plates Men are men And life is life The boy I greeted wants to meet you. She does in a way overcome, retreat from the closeness to the world as a prostitute. I find watching his work really can open up one's mind, inspire creativity, and help one think outside the box. From an artistic viewpoint, Jean-Luc Godard's fourth feature is a treasure trove of originals and reproductions, as the camera lingers on Anna Karina at her most bewitching.
You say I'm cruel, but it's you Why do you say that? Nietzsche says that art is not an imitation of nature at all, but is rather a metaphysical supplement, raised along side Nature only to overcome Nature. Closeness to the world in art is not art for Godard. Silakan baca ringkasan film Vivre Sa Vie 1962 yang sudah kami rangkum di bawah ini. Distancing, almost barricading the self from the world in order to come towards it with assurance and strength represents the artistic nature overagainst the non-artistic mundane, so-called real world. But we betray them, too One should be able to express oneself It has been done in writing Think: someone like Plato can still be understood - he can Yet he wrote in Greek, 2,500 years ago No one really knows the language, at least, not exactly Yet something gets through, so we should be able to express ourselves And we must Why must we? The Criterion Collection edition offers true cinema riches, especially in an interview with Karina from 1962, several modern commentaries putting Godard and the film in its historical context, reportage from early-'60s France on the dire situation of prostitutes at the time, a booklet of film criticism, and much more.
Nana wonders whether she's happy What about days off? Only 83 minutes long, this film seems to have more in it than some major epics. First the girl First the money Get the money 100,000 is missing Don't think I won't shoot just because of the girl You shoot, I forgot to load it. Because in it, Porthos this is really in Twenty Years Later Porthos, tall, strong, a little stupid he's never thought in his life He has to place a bomb in a cellar to blow it up He does it He places the bomb, lights the fuse, then he runs away, of course But suddenly he begins to think What about? Art and beauty are life I adore you And I love you Why not come and live with me? I have the pictures He doesn't look like me at all, he looks more like you Coming to dinner? A journalist Please give me my key Oh, all right Come on, give me that key! Bahasa: Français Sudahkah Anda membaca ringkasannya dengan tuntas? Like loving one another more But it isn't possible But why? Par l'entremise d'une amie, Nana rencontre Raoul, un souteneur. I'm willing Why haven't you tried to get into films? When she meets a man Peter Kassovitz who truly cares for her, Nana's hope returns -- but Raoul Sady Rebbot , her pimp, may have the final word. Nothing Let's not start quarreling again Shall we have a play? I'll tell you all about it What happened? A little, but that's not why I wondered Usually I'm very punctual Eleven at night is very late I thought you'd forgotten, too What will you have? Les marques citées sur cette page sont la propriété de leurs titulaires. He can't go on, he can't move forward The bomb explodes, the cellar falls on him He holds it up with his shoulders But after a day, or maybe two, he is crushed to death The first time he thought, it killed him Why did you tell me that story? I don't know With detachment We balance, that's why we pass from silence to words We swing between the two because it's the movement of life From everyday life one rises to a life we call superior The thinking life But this life presupposes one has killed the everyday too elementary life Then thinking and talking are the same thing? The many faces of a woman trying to find herself in a world of men.